Senior Seminar’s Collaborative Painting, 2017

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Screen Printing: It Begins!

Cubes2
“Outtake #1” Mixed Media By Sireen Jawdat

Screen

 

Design:

The cube theme prevails!

My instructor kindly demonstrated how I could incorporate cubes using 2-point perspective, which was great. One of the main ideas of this round of prints was to create images with more depth and dimensionality.

Technical Challenges:

When I got to the stage of actual printing/inking , the prints did not turn out quite as expected, but that is how one learns! They all look a little bit different(intentionally), yet some difficulties I encountered included:

  • Aligning my printing paper beneath the screen with the exposed image on the screen
  • Properly flooding the exposed image on the screen
  • Achieving a bold, clean, transfer of ink
  • Choosing the right kinds of ink(colors, etc)

I’ll keep my eye on these^next time around

Fru-stractions: Abstractions of John Frusciante

 

 

RHCP Diptych

This design harnesses the celestial creative power of the musician, John Frusciante. He is the former guitarist of the Red Hot Chili Peppers. These paintings explore the interplay of vocal harmonies and guitar solos, intros, and outros in five Red Hot Chili Peppers songs. The songs are: The Zephyr Song, Tell Me Baby, Easily, Funny Face, and Someone (small canvas). Triangular forms denote vocal harmonies between Anthony Kiedis (Lead) and Frusciante (background). Circles and circular forms (half-circles, crescents) signify guitar intros, outros, and solos. The respective colors reflect my interpretations of the mood and pace of the guitar pieces and the vocal harmonies. Hue Code: blue=sad, slow, red-orange=fast paced, high-spirited; yellow=happy, grey=cold, apathetic, turquoise=calm, pink=nostalgic.

Loopy Fru!

This painting captures John Frusciante saying his notorious(to his global fandom I suppose) “You Know,” phrase in several interviews on Youtube. The phrases are embodied by loops, in which color was applied intuitively and with a palette knife; Loops were euphorically applied within a clockwise configuration, central to the canvas. Each utterance has a unique quality, highlighted by texture and line movement. The under-painting was executed with a paintbrush.